Throughout history, images and
representations of skulls and skeletons have been seen in art all across the
world. In the earlier half of the 20th century, artists used skulls and as
a powerful and shocking symbol of death.
It seems that now in contemporary art,
skeletons have become “trendy” and their abundance in modern art has led to
skulls having less of an impact on the viewer. No longer are skeletons used
cautiously and sparingly so as to impact the viewer, but rather now our culture,
art and fashion have become so saturated with images of skulls, that they have
become commonplace, desensitizing the viewer to the horrific symbolism that skulls
once carried. With influences from the Mexican day of the Dead and the rise in
popularity of skulls in fashion (Vivienne Westwood, Alexander McQueen), skulls
have begun to be portrayed as pleasant, and detached from death.
Damien Hirst’s sculpture, “For the Love of God”, made in 2007,
consists of a platinum cast of a human skull encrusted with 8,601 diamonds. The
sculpture was modelled on an 18th century skull, but the only surviving human
part of the original is the teeth, which partly preserves the grotesque element
of the piece. ‘I
just want to celebrate life by saying to hell with death,’ said Hirst, ‘What better way
of saying that than by taking the ultimate symbol of death and covering it in
the ultimate symbol of luxury, desire and decadence?’
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